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Others immersed themselves in technology-based medium art, but later turned in a different direction (Hajnal Nemeth, Tamas Komoroczky, Andras Ravasz). And there were also some whose work, until the mid-2000s, followed the various stages of technological development, only to then turn back to painting (Peter Szarka).
The exhibition is rendered timely by the altered vantage point of our post-digital age, which, through the showcased works, offers a freshly nuanced take on analogue-digital relations. His imagery is based on the Central European male experience with all its taboos. Kis Rokas visual dictionary is derived from a wide range of visual languages from the Christian iconography of suffering, through B-category horror movies, to the traditions of representation in local historical painting.